Ditto on the no text part. That is an accessibility failure that’s way too widespread.
Sometimes I’m afraid to even push a button: does this delete my thing, or does it do some other irreversible change? Will I be able to tell what it did? Maybe it does something completely different, or maybe I’m lucky and it does in fact perform the action I’m looking for and which in my mind is a no-brainer to include?

And it’s infected interpersonal communication too - people peppering their messages with emojis, even professional communications. It not only looks goofy, but is either redundant (when people just add the emoji together with the word it’s meant to represent - such a bizarre practice) or, worse, ambiguous when the pictogram replaces the word and the recipient(s) can’t make out what it depicts.
The most fun is when it’s a mix - the message contains some emojis with accompanying translation, some without.

Me every time I see one of these pretty much.
Feels like these are from another timeline. Guess the name is fitting.

If I had to guess, I think this might be poking fun at overprotective parents who unwittingly do more harm than good by controlling their kids’ environment to an unhealthy degree.
Trying to read more into it, perhaps it’s also pointing at the propagation of bad childrearing practices across generations - parent cows grew up on a farm, constrained by an electric fence. Though presumably more independent now, this is what they knew growing up, so they apply (a bizarre perversion of) these same practices to their own children.

I’m probably way off though, because that interpretation barely elicits a half smile from me.
Curious for an explanation from someone who actually gets it too.

I don’t share the hate for flat design.
It’s cleaner than the others, simpler and less distracting. Easier on the eyes, too. It takes itself seriously and does so successfully imo (nice try, aero). It feels professional in a way all the previous eras don’t - they seem almost child-like by comparison.

Modern design cultivates recognizable interactions by following conventions and common design language instead of goofy icons and high contrast colors. To me, modern software interfaces look like tools; the further you go back in time, the more they look like toys.

Old designs can be charming if executed well and in the right context. But I’m glad most things don’t look like they did 30 years ago.

I’m guessing many people associate older designs with the era they belonged to and the internet culture at the time. Perhaps rosy memories of younger days. Contrasting that with the overbearing corporate atmosphere of today and a general sense of a lack of authenticity in digital spaces everywhere, it’s not unreasonable to see flat design as sterile and soulless. But to me it just looks sleek and efficient.
I used to spend hours trying to customize UIs to my liking, nowadays pretty much everything just looks good out of the box.

The one major gripe I have is with the tendency of modern designs to hide interactions behind deeply nested menu hopping. That one feels like an over-correction from the excessively cluttered menus of the past.
That and the fact that there’s way too many “settings” sections and you can never figure out which one has the thing you’re looking for.

P S. The picture did flat design dirty by putting it on white background - we’re living in the era of dark mode!

The point is not the difference between a fake memory and a real one (let’s grant for now that they are undistinguishable) but the fact that positive experiences are worth a lot more than just the memories they leave you with.

I may not know the difference between a memory of an event that I experienced and a memory of an event I didn’t experience. Looking back on the past, they’re the same.
But each moment of pleasure that I only remember, without having experienced it, was essentially stolen from me. Pleasure is a state of consciousness and only exists in the present.