Basically that’s what they did with Ocean’s 11. The original Frank Sinatra version was shit. But it was a good idea, a crew of super cool dudes get together to rob a casino.
They remade it and it was very successful.
The Thing has a similar origin.
But it’s rare things like that happen because Hollywood execs usually need an existing property with good numbers to greenlight a movie.
For a second I thought you were trying to say that The Thing (2011) is a better remake of The Thing (1982), but then I remembered that 1951 version exists.
The one from the 50’s, good as it was for the time, is now overshadowed in the popular consciousness by Carpenter’s. Ironically, it seems like the former did quite well at the box office whereas the latter bombed and only over time has it grown in popularity.
I would consider Carpenter’s to be a sequel of sorts. It takes up after another crew has been already destroyed by The Thing. It gels well with the idea that the 50s movie is about post WWII paranoia (kill everything that looks different on sight). While Carpenter’s, while being a bit closer to the source material, is about cold war paranoia. Everything, even those who you trust the most, could be a shapeshifting monster. The movie even ends on a cold quiet unresolved and presumably eternal face-off.
Basically that’s what they did with Ocean’s 11. The original Frank Sinatra version was shit. But it was a good idea, a crew of super cool dudes get together to rob a casino.
They remade it and it was very successful.
The Thing has a similar origin.
But it’s rare things like that happen because Hollywood execs usually need an existing property with good numbers to greenlight a movie.
For a second I thought you were trying to say that The Thing (2011) is a better remake of The Thing (1982), but then I remembered that 1951 version exists.
Funn enough Ocean’s X is also the opposite example since they didn’t stop just making more of the same.
Original thing was pretty good.
The one from the 50’s, good as it was for the time, is now overshadowed in the popular consciousness by Carpenter’s. Ironically, it seems like the former did quite well at the box office whereas the latter bombed and only over time has it grown in popularity.
I would consider Carpenter’s to be a sequel of sorts. It takes up after another crew has been already destroyed by The Thing. It gels well with the idea that the 50s movie is about post WWII paranoia (kill everything that looks different on sight). While Carpenter’s, while being a bit closer to the source material, is about cold war paranoia. Everything, even those who you trust the most, could be a shapeshifting monster. The movie even ends on a cold quiet unresolved and presumably eternal face-off.
Carpenter’s is closer to the original short story, too.