I got the impression they were more of what bro-dudes listened to when they were sad rather than what sad-boys were listening to, but only exposure to them was Chasing Cars. They seemed closer to The All-American Rejects than, say, The Shins or Interpol or any of the other shit I was listening to when I was my most insufferable teenage self.
I don’t know, maybe? When I was in high school the girls were all listening to emo. Once pop-punk went out of style (pretty much the minute Sk8ter Boi was released), most of the girls I knew pivoted towards Death Cab for Cutie or Dashboard Confessional. I was having a sad-boy period and other sad-boys I knew got me into Radiohead, Interpol, Coldplay (again, those first two albums), the Shins, and the Strokes.
I thought that was Snow Patrol.
I got the impression they were more of what bro-dudes listened to when they were sad rather than what sad-boys were listening to, but only exposure to them was Chasing Cars. They seemed closer to The All-American Rejects than, say, The Shins or Interpol or any of the other shit I was listening to when I was my most insufferable teenage self.
I thought Interpol was music for girls. Only people I knew that listened to them were girls who worked for Red Bull.
I don’t know, maybe? When I was in high school the girls were all listening to emo. Once pop-punk went out of style (pretty much the minute Sk8ter Boi was released), most of the girls I knew pivoted towards Death Cab for Cutie or Dashboard Confessional. I was having a sad-boy period and other sad-boys I knew got me into Radiohead, Interpol, Coldplay (again, those first two albums), the Shins, and the Strokes.