Not in the late bronze age.
Mostly kind chonky weirdo. Gentle nerd freak of the pacific north west. All nation states are vermin.
Not in the late bronze age.
The Mycenian Greeks probably wrestled control of Crete from the Minoans ~300 before the late bronze age collapse of greek and hittite power structures.
Cultural elements and settlements of these “Eteocretans” remained, but I don’t think the Minoans were in any place to halt anything at that point. During the period we call collapse they seem to have been doing a lot of fleeing into the mountains.
Bauxite is the obvious one. Bringing bauxite to Australia. How could you forget about bauxite?
Yeah wow that’s incredible. That dog looks very alone and scared, I could see how people say drowning. Cresting a hill was my first thought.
There’s a great Mac game from 1997 called Harry the Handsome Executive, where you zoom around on an office chair and weild a staple gun. The first level is you looking for a window so you can experience natural light again.
Yeah, it’s one of my favourites too. So immediately striking. I don’t think it would’ve occurred to me to read up on it - what’s to read about? There’s just the figures and the act, nothing else. But then you find out that it’s somehow even more goth.
Did this person depict lots of mythological figures?
Nope! It’s been a few decades since my art history lectures but my memory is (and wikipedia agrees) that he did a lot of portraits and battle scenes. IIRC his battle paintings inspired Picasso’s. His late work is especially dark - madness and horror type stuff. Sinister distorted figures. They’re often called The Black Paintings.
if this is common knowledge
Quite the opposite. This painting was used in a slide in my greek mythology class during the lecture about the titans and chronos. Then in an art history class I learned the context, which I feel is much less known.
In case anyone missed the reference, this is based on a work found painted on the walls of Fransisco Goya’s dining room after he died. You’ll often hear it called “Saturn Devouring His Son”, but the work was never titled or displayed publicly. There’s really no good reason to believe that the devourer is Chronos/Saturn, that the devouree is even a child, or that either body is male.
I personally like to think of it as Untitled (Dining Room).
Oh, that’s great to know! I’d got the impression that 打 was being used as a verb in the sense of use/make/play with 火機 as the object. Thanks!
The way I was taught to ask for a light in chinese is literally translated as ‘Hit the fire machine?’ (打火機嗎)
As long as you remember to turn off the lights.
an 8 hour PowerPoint presentation on light switch waste awareness.
You don’t need an 8 hour PowerPoint. Instead try the best ad I’ve ever seen. It’s from legendary estonian animator Priit Pärn:
In my family we always end this kind of recitation of woe with “and I wanted to see a snake”.
We saw a kid have a meltdown at an animal refuge when the meet-a-surprise-reptile was a blue tongue lizard. He wailed that he was tired, hungry, hot and - most of all - he wanted to see a snake.
A milkshake will work too.
That reading of the character makes sense and jives with how I connect with games I play. I’ll keep it in mind when I go back for a male playthrough - gonna have to romance panam eventually. Agreed choom!
Oh yeah, that’s a great point. I admit I stalled out of my male playthrough like 1/4 through, but for sure the voice acting felt lacking compared to female V, who really does a fantastic and job and sells every situation flawlessly. Now that you’ve mentioned it, it seems so obvious that that’s a huge part of the why female V is better.
I have 50+ hours and only minor graphic glitches. A couple dead bodies standing up, the odd piece of floating loot. Nothing that seriously detracts from the experience.
I’m ~3/4s through my second playthrough and appreciating it more and more. Haven’t picked up the expansion yet either.
I found it hits much harder with a female character. The Johnny Silverhand situation especially felt much more… metaphorically resonant? And Jackie feels more rogue-with-a-heart-of-gold when his best buddy is a woman.
Quickhacks are OP but felt correctly haxx0r, mantis blades are super fun. I enjoyed the combat well enough. Cars are meh, but it’s cyberpunk so if you’re not riding a futuristic bike ala Akira you’re doing it wrong. And wiping out on a bike is great.
The characterisation and world building are what really shine. I was reluctant to play the corpo background but it really makes the story sing.
The first time you’re in a car with Judy she has a prominent tattoo that says “underwater where thoughts can breathe”. Then next mission or a while later her apartment has jellyfish looking paint splotches and an aquarium. It’s expanded on more explicitly later, but I really enjoy the way they pull together their characters.
The scene with Takemura on the roof talking about Bakeneko is another moment that I enjoyed first playthrough and came to really appreciate a lot the second time. His food snobbery becomes quite endearing after he accidentally texts you his attempts to search for restaurants.
I personally believe that preserving a false and misleading picture of reality designed to trumpet a deranged cult that is working to make the world objectively worse for everyone including themselves is not acceptable.
I would say, “Look mum I love you more than anything in the world but preserving some of these movies crosses an ethical line for me.”
Of course I grew up in a house of atheist jewish academics, so making and justifying personal ethical stances that contravene wider group stances is expected behavior in my family. And we take document preservation fairly seriously.
It looks like it’s supposed to be more greek, since the romans weren’t known for fighting naked, whereas we think ‘greek’ and we think shirtless. Also romans weren’t involved in egypt in any serious way till much later. Whereas the ‘sea peoples’ seem to come from roughly the sphere of mycenean influence, even if they don’t all seem ‘greek’.